I've always been a fan of the genre, however never created any artworks burlesque related. However in January I was commissioned by The Burlesque Hall of Fame (BHOF) to create their poster art for their upcoming weekender in June. Being the OCD madman that I am when researching for a new project, I collected over 5000 images of burlesque history. It's no wonder I felt compelled to make this year's "30 days of" art project BurlyQ related. Click images below to see the full series. Enjoy.
This months portrait post is of the animated Roxi Tart from San Francisco . Her personality inspired me to create a "Child of the 80s" pinup portrait art. Kiegan, her husband, was wanting to commission me for years. Last year he took the plunge asking to create something that would surprise his lovely lady. With no particular theme in mind, and after browsing Roxy’s Instagram, I was compelled to create something vivid I felt reflected her playful bright personality, yet sexy, true to pinup, and capturing her essence.
In the early 1900's, photography conveyed a sincere and innocent atmosphere for the subjects. Smiling with dramatic "say cheese" faces were something unheard of. With the evolution of portable cameras during the pass 100 years, an era of candid casualness has drowned out the sensitive tenderness early photography greatly showcased. Early motion pictures were influenced by theater, and early television presentations were inspired by radio presentations. In the same way early portrait photography was strongly influenced by the long art history of portraiture painting. Here is Edwardian era transformation portrait illustration art of Emma. Most of my retro portrait transformations are inspired by decades from the 1920"a to the 60's. However Inspiration is everywhere and yearned to create something a little different. I rarely do transformational art on children but was fascinated by studio portrait photography from this particular era. Notable trademarks were big poofy swirly "Gibson girl" hair curls, lots of flowers with a very shallow depth of field (center of face sharply focused with hair blurring out of focus, dark backdrops, transitional fades, and circular frames. Very minimal wash of color due to hand tinting black and white images. My challenge was to capture that same 1900's spirit in an illustration art format and still have it resemble my client's daughter. Tell me what you think. -Santiago.
Since I am a huge lover of Art Deco and love the sophistication and dapperness ( just learned that’s a real word ) of the era, I thought it would be the fitting opportunity to create a really upscale portrait
I was inspired by the 1930s harlem dancer Margot Webb for her elegance and sophistication and chose to transform Peg into her, however whatever concept I chose to do, Peg insisted on having curls. So after a bit more research, I stumbled upon a hair style from one the great silent movie era actress, Norma Shearer. She sported finger waves that transition into curls sorta of like an elegant 1930s afro. Finger waves and curls.
The Art Deco / Jazz / afrocentric characters and city scape are all inspired by the underatted African American Art Deco muralist Aaron Douglas, who pioneered a futuristic translucent flat afrocentric stylee. Sort of a black version of Diego Rivera, he beautifully illustrated the struggles of the oppressed, spoke on slavery, the elevation of the race, the beginnings of the NAACP in Harlem, while also transitioning into the new world of the, automobile, radio, jazz age, skyscrapers and mans quest to find identity in this new world. I also included the marquee of Harlem’s world famous Savoy Ballroom known for both it’s dance innovations and home of Jazz giants of the day, a place Peg’s grandparents used to frequent in their youth. Here is a before and after.
Special thanks to Michael, Desi, & Edson for considering my work to be the first modern pinup artist featured in their magazine RETRO LOVELY (Jan 2012) also featuring Playboy's playmate of the year 2011 Claire Sinclaire on the cover and centerfold. Thanks guys.
A look into 90% of the portraits commissions made for my clients through 2011. Happy New Year.
Ana, Fadila, Yoli, Samara, Jane, Alyson, Sivan, Jennifer, Christina, Jane, Miss Feeny, Lucia, Ana, Jae, Carmen, Zoila, Elda, Tush, Bebe, Lola, Ela Family, Kelin, Tina, Shownine, Jessica, Vintage Vandalizm, Tessa, Jamie Principle, Frankie Knuckles, Eric Kupper, Betty Chantel, Brittany Kaye, Tonya Thomas, Carmen B, Tabatha, Michelle, Chena, Anki, Charlotte, Miranda, Lauren, Samantha, Nicole, Myrna, Lily, Marilyn, Boos Bakes, Charity, Delancie, Sol, Rene, Brooklyn, & Melanie.
I was commissioned recently by one of my fans to come up with a design and illustration for her business. She wanted a sexy bumble bee complete with antenna and stinger basing it on an old pinup illustration called "Spilled Ink" by Joyce Ballentyne. It's a classic pinup art piece of a sexy pinup is creating art, yet having an "oopsy" moment and spilling ink. My client also loved the reinterpretation I used of great pinup master Enoch Bolles style of faces. She also requested a boombox with the Lilly Bee c haracter jamming out to it. Here is the end result.
Here s an old school mini article I never posted. It from a Indigenous/ Native American magazine from October 2006. Ughh. I get so freakin' embarrassed reading any interview I take part in . I am super thankful for the attention but since I can't fake shit talkers, yet I feel like I am a fake shit talker when reading these. Anyway this piece inspired by the lovely Tanya V was what really helped me find my direction as a pin up artist. I was starting to get back into painting again after almost 10 years of barely making a thing. Perfectionism, self critical sabotage will warp your mind body and soul. I stopped making art a few times because I thought I was never good enough. (the life long battle many of us share) But as I have slowly learned, If you love what you do, Anything worth doing is worth doing badly. I constantly hear from my fans wanting to see the "old Santiago" the wild cubistic painterly works again. (Trust me, you are about to be blown away by my upcoming works) but I had to take a detour for a few years and learn to make art because I love it, even if it comes out "badly" or not to certain standards. Letting go of unrealistic expectations has in the end made me 10 times more productive. Olus that :shitness I was afraid of was actually another style in me that was yearning to burst out, yet I surpressed it becuasr it did not fit the mold I saw in my head. It was better...
If it is worth doing, its worth doing shittily. Better shitty then not at all. Enough of my rambling.
Click image for detail.
She commissioned me to create a pin up piece that was sexy yet reminded her of how much she is loved. She also requested the shocking color combination of pinks and lime greens. Here is what I came up with. :)
black and white